Mackintosh style How an architect can create his own style

Mackintosh style How an architect can create his own style

Mackintosh style How an architect can create his own style – Mackintosh Model How the architect can create his own style and unique – Initially to get to know who the Mackintosh is, Charles Mackintosh was born in Glasgow, Scotland in 1868, he is one who with their unique and innovative style managed to transform the world of art forever, not only a talented engineer, but rather He was also an innovative artist, many people all over the world loved his beautiful simple designs.

About Mackintosh Life:

McIntosh continued his studies at the famous Glasgow School of Art where the new principal, Francis Newbury, changed the school, and encouraged students to pursue the latest trends in art, design, crafts, and architecture. Here, Charles Rennie Mackintosh met his colleague, artist Margaret MacDonald, who will have a profound impact on his life.

Together with Margaret Francis’ sister and fellow artist Herbert Mac Nair, the couple became known as “The Four” and formed “Glasgow Style”, both of whom later married and changed the face of art forever.

After several successful building designs, McIntosh became a partner of Honeyman and Keppie in 1907.

The couple later moved to England (1914-1922) where he produced many beautiful watercolors, but unfortunately Charles could not secure much of the work in architecture despite his architectural skills.

Mackintosh works

McIntosh was actively involved in furniture design, and when “The Four” was invited to contribute to the London Arts and Crafts Fair, he sent somewhat balanced designs with embossed patterns and vanquished metal panels, and these designs were made by Margaret MacDonald.

But for the Scottish group, made up of the couple the exhibition was not a success for them, as modern art of that period in London was not widespread, but then modern art became out of date in London, though no designer of merit dared to admit sympathy for The movement feared an immediate exile to the continent. So, Mackintosh was not destined to leave his mark in England.

Mackintosh designs in furniture

Mackintosh furniture is divided into two distinct groups, as the decor is characterized by the most formal nature, both types appear around the same time through his works, but this second group that the Mackintosh manages is his last group,

Which is the complement of the light and spacious rooms that he invented, and also designed a lot of graceful linear furniture that cooked in white and was often encrusted with flowers and mother-of-pearl in flowery leaves or floral motifs.

By contrast, his heavier furnishings were rarely decorated, and in fact he was darkly colored and sculpted in reality, and the Mackintosh in the 1920s became intense in appearance.

Instead of the flowery plant life, its decorations became cubes and triangles as a concession for this era famous in the jazz era, and the modern room of modern art made room for glaring engineering, and also continued to consider the furniture as part of the general structure of the room, so that the furniture seems complementary to each other, each piece when seen outside the context Her be surprisingly disproportionate.

Margaret MacDonald, whom he married in 1900, also contributed greatly to his work although the extent of her influence has not yet been conclusively proven.

McIntosh never permitted the organic qualities of modern art to control his furniture as his continental contemporaries such as Guimar and Horta did, but he organized his elevated forms of growth and precisely defined the design field within a rigorous structural framework, even his most furnishing furniture being simple, useful, and generally subject to functional demands.

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